Wilco’s Schmilco, Schmilco’s Schmilco

Dadstalgia
The below review was written by Will Boogert and Conor Fellin as they listened to Wilco’s Schmilco for the first time. They started writing when the album began, and stopped typing when the album ended. Except for grammar, the review has not been changed since that moment.Read This

The Hot Take: Innocence Reaches, of Montreal

Innocence Reaches
The below review was written by Will Boogert and Conor Fellin as they listened to of Montreal’s Innocence Reaches for the first time. They started writing when the album began, and stopped typing when the album ended. Except for grammar, the review has not been changed since that moment. “Let’s Relate” Conor: Not sure how […]Read This

Breaking Down Breakmaster Cylinder

Breakmaster Cylinder
I just don’t wanna be out there. I don’t matter. It’s nice to be any / every / nobody. –Breakmaster Cylinder, in an interview with Exolymph Conor and Will are sitting at a pair of microphones in a mid-budget recording studio, recording their commentary on Reply All. Conor: There you have it: the whole animal […]Read This

Inglish Speling Iz Todale Weerd

On the necessity of a spelling system that isn’t just a 1:1 transcription of speech sounds:

“For the sake of argument, we can try to imagine what a purely phonetic writing system would look like—one that Voltaire might have considered ideal. When we speak, we alter the pronunciation of words as a function of the sounds that surround them. It would be disastrous if spelling were to reflect the obtuse linguistic phenomena of so-called coarticulation, assimilation, and resyllabification, of which most speakers are usually unaware. A matter of context would end up having the same word spelled differently. Should we, for instance, use distinct marks for the various pronunciations of plurals? Should we spell “cap driver” under the pretext that the sound b, when followed by a d, tends to be pronounced like a p? At one extreme, should we factor in the speaker’s accent? (“Do you take me vor a shicken?”). This would be apsurd (yes, we do pronounce this word with a p sound). The prime goal of writing is to transmit meaning as efficiently as possible. Any servile transcription of sounds would detract from this aim.”

~Stanislas Dehaene, Reading in the Brain: The Science and Evolution of a Human Invention, emphasis added

To see you’re really only very small

This is Sam Herring—he’s got Marlon Brando’s face, a Tasmanian Devil’s roar, a stagehand’s attire, and Joseph Gordon Levitt’s eyebrows: But those dance moves are all his own. This performance was somewhat of a viral sensation for Future Islands two years ago when they made their TV debut on Letterman. Later that year, Pitchfork named […]Read This

Rail Gaze Review: II

Unknown Mortal Orchestra II
“I wish that I could swim and sleep like a shark does. I’d fall to the bottom and I’d hide till the end of time.” ~ “Swim And Sleep (Like A Shark)”, Unknown Mortal Orchestra This album records the faint echoes of psychedelia transmuted through layers of ocean. It’s lo-fi in the way that phone […]Read This

Rail Gaze Review: Why Are You OK

Why Are You OK
As perennial Band of Horses fans, Conor Fellin and Will Boogert both knew that they would have strong feelings about the band’s new album “Why Are You OK.” So rather than let one person have all the fun, they thought they would write a dialog about the new album. Conor: So I think for me […]Read This

Touching By Underground Wires

mental illness happy hour
The Mental Illness Happy Hour podcast always begins with some variation on the same intro: I’m Paul Gilmartin, and this is the Mental Illness Happy Hour: honesty about all the battles in our heads, from medically diagnosed conditions, past traumas and sexual dysfunction, to everyday compulsive negative thinking. This show is not meant to be […]Read This